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Comic Book Pull List: May 1st, 2024

I just knew this week was going to be a hard one to pick a comic of the week. We got another issue of Invincible Iron Man and X-Men both tackling the end of the Orchis War. Plus throw in a new Wolverine/Deadpool team-up and new issue of Weapon X-Men and you have some interesting choices to make. But after reading my stack, a lot of those issues just didn't seem to hit their mark... especially with Iron-man and X-Men. So when I picked up the first issue of Jed MacKay's new supernatural/superhero limited series, I was expecting something 'decent'. Boy... was I surprised! Comic Book of The Week: Blood Hunt #1 MacKay / Larraz / Garcia Back in 2019, DC Comics and Tom Taylor chronicled an invasion of vampires called plainly enough DC vs. Vampires. In 2024, Marvel Comics has a go at it, with the Jed MacKay writing, Blood Hunt. If there's anything you can say about Jed MacKay, it's that he knows how the hell to set off a comic event. The 6-1-6 hero community has been having a lot of dealing with vampires in recent years. The Avengers and Blade fought to keep Dracula at bay as he built a new Vampire Nation somewhere…

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From The Crates: Above The Law with “V.S.O.P.”

Part of the post-NW.An explosion of California gangsta rap, Above the Law, came out of the eastern Los Angeles suburb of Pomona; leader Cold 187um, aka Big Hutch (born Gregory Hutchinson), was joined by KMG the Illustrator (born Kevin Dulley), Go Mack (born Arthur Goodman), and DJ Total K-Oss (born Anthony Stewart). Mixing '70s vintage funk and soul samples with live instrumentation (Hutchinson had studied jazz while in school, the group signed with Eazy-E's Ruthless Records and issued its debut album, Livin' Like Hustlers, in 1990; split into violence- and sex-themed sides, it was co-produced by Dr. Dre (before N.W.A's rancorous breakup) and received well in gangsta circles. The Vocally Pimpin' EP appeared in 1991, and the full-length follow-up, Black Mafia Life, was released in 1993.  

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You Should Be Listening To Ariel J.

Introducing Ariel J., an electrifying force in the realm of contemporary music. Born and bred in the vibrant cultural landscape of Los Angeles, Ariel's journey into the world of music began at an early age, fueled by a passion for storytelling and a love for melody. Drawing inspiration from a diverse array of influences spanning pop, R&B, and electronic music, Ariel's sound is a captivating fusion of soulful vocals, infectious rhythms, and introspective lyricism. Ariel J. Online: Apple Music:    / ariel-j   Spotify: https://open.spotify.com/artist/0KVhK... Instagram:    / arielj.music   TikTok: https://www.tiktok.com/@imarielj?_t=8... Facebook:    / arieljmusic    

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For No Reason At All: Actress/Podcaster Katie Sackhoff

Katee Sackhoff is an American actress. She is known for playing Lieutenant Kara "Starbuck" Thrace on the Sci-Fi Channel's television program Battlestar Galactica (2004–2009), Niko Breckenridge on the Netflix series Another Life (2019–2021), Victoria "Vic" Moretti on the A&E / Netflix series Longmire and Bo-Katan Kryze on the Disney+ series The Mandalorian (2020-present). She also provided the voice for Kryze in Star Wars: The Clone Wars (2012–2020) and Star Wars Rebels (2017), as well as the voice of Bitch Pudding on Robot Chicken (2005–present). She was nominated for four Saturn Awards for her work on Battlestar Galactica and won Best Supporting Actress on Television in 2005.

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X-Men ’97’s Final Trailer Captures the Excitement of The Show

X-Men '97 will go down as one of the biggest surprise hits of modern times. As an older gentleman who watched the original X-Men Animated Series when it first aired back in the 90s, the show is the sweetest love letter to us original fans, but accessible enough for the newer generations. Episode 5 showed that Marvel isn't pulling punches with this show, and whoever is behind the overall arcs of this season, you can tell they're a super fan of the content, allowing them to weave in multiple comic plotlines and still make it feel effortless. Bravo Marvel. Let's build off of this success and put out more great streamin shows.

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From The Crates: “Rain In Cuba” by Joe Hertz

Since first exploding onto Soundcloud back in 2014, Brixton-born Hertz has become a darling of the bedroom producer generation, thanks to his knack for blending soulful electronica with upbeat r&b. Billboard described his breakthrough 2017 EP, Night/Daze, as "a collection of calming antidotes for the stresses of daily life," and Complex noted that it "oozed both talent and creativity in abundance."    

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Favorite Wrestler Theme Songs: Chris Jericho

It's amazing how Chris Jericho has been able to stay relevant in professional wrestling for so long. He has the uncanny ability to reinvent himself when needed to stay ahead of the game. In his latest stint in AEW, his biggest selling point has been his theme song "Judas", performed by himself and his band Fozzy. The song is so popular that even if he comes out to silence, the audience sings the entire theme for him. Another notch in Jericho's belt.  

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Comic Book Pull List for April 24th

This week's pull list overflows with Spider-Man and X-Men delights—right in my wheelhouse. The Marvel universe dominates, and naturally, Avengers #13 was my immediate choice. However, the culmination of the Orchis War, though promising, faltered at the finish line, leaving a sour taste with its lackluster conclusion that fizzled out like a spent firework. Yet, amid this disappointment, a beacon of hope emerged. My pick for the week shone as brightly as ever, maintaining its consistent quality and delivering the satisfaction I've come to expect. In the tapestry of comic book adventures, there are peaks and valleys, but there's always a silver lining, a story that captivates and keeps the spirit of excitement alive. Comic Book of The Week: Ultimate Spider-man #4 by Hickman / Messina / Wilson Oh, man. Every time a new issue of Ultimate Spider-Man comes out, I like to go back and read the earlier issues and just get lost in the world again. What makes this comic very satisfying is how Jonathan Hickman is pacing this volume the same way Brian Michael Bendis structured the start of his first volume Peter Parker, and Mile Morales Spider-man in the original Ultimate Universe. I don't know if this is…

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