Kwamé—the one and only “Boy Genius”—burglarized the late ’80s hip-hop scene with playful polish and a polka-dot flex that became his signature and a straight-up fashion fad. Born and bred in East Elmhurst, Queens, he dropped “Kwamé the Boy Genius: Featuring a New Beginning” in 1989, making fans bob their heads and wonder who this quirky mastermind was . His sophomore LP, A Day in the Life: a Pokadelick Adventure, was a high‑school‑meets‑hip‑hop concept trip. A few albums later, and after shelving the dots and sliding into sexual swagger, Kwamé pivoted. He stepped out of the spotlight and behind the boards, producing hits for heavyweights like LL Cool J, Mary J. Blige, Missy Elliott, Tweet, and even co‑producing with Eminem on Lloyd Banks’s “On Fire” (Gold certified, baby) . Fast-forward to now: Kwamé’s firing up the mic again with his upcoming album The Different Kids, set to land August 29, 2025 . His latest single, “Hello/Anybody,” oozes juke‑joint vibes and slick, nursery‑rhyme‑twisted wordplay, polka dots and all . This comeback isn’t just him, it’s a shout‑out to everyone who’s ever felt “different,” classic outliers reunited under one album banner.
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One of the mistakes which some political analysts make is to think that their enemies should be our enemies. Our attitude toward any country is determined by the attitude of that country toward our struggle. Yasser Arafat, Colonel Gaddafi, and Fidel Castro supported our struggle to the hilt. Those who complain about our relationship with our friends are free to join our struggle and to come and help us.
